This was a routine part of my daily life for many years, and I cherished every single second of it.ĭuring those times, animation was entirely hand-drawn and traditional animators were adept at rolling the paper quickly to assess the timing of their rough animations. And when it worked, a smile spread across their faces.
They kept a keen eye for any imperfections, any slight pops in motion that lacked follow-through. Rewinding, playing again, and scrutinizing every movement with their trained eyes. They rewind the VHS tape back to the beginning, eagerly watching as the animation came to life. Two nearby animators are engaged in conversation with their attention focused on a shot sequence. And let me tell you, their community is incredibly supportive - just like any top-notch animation studio would be!Īmidst the cubicles, the faint sounds of muffled music seep from headphones. It allows me to keep honing my traditional animation skills, even in the face of the latest industry advancements. The thing I absolutely adore about CTA is its inclusive approach that embraces artists of all skill levels. My latest escapade brings me to Cartoon Animator (CTA), where I got to collaborate with Reallusion to showcase its features.
However, here’s the thing… I’m still learning! In this industry, learning never stops. So, I decided to approach it differently… I leaned in, looked the interviewer straight in the eyes, and declared, “If I can’t nail this job in three months, I’ll give myself the boot!” That momentous occasion took place 25 years ago, and I’m proud to share that I’ve since amassed a wealth of experience working on classic movies, games, and various other projects. When they asked about my experience, I must have frozen like a deer caught in headlights! My previous gig involved packing TV cases on a factory floor, but I had a feeling that wasn’t exactly what they were seeking. Let me take you back to my first-ever interview in the animation industry.
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